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​George Benson is one of the best guitarists in the world. His ideas and his solos are beautiful and awe-inspiring to many guitarists. Even though I'm not a jazz guitarist, I nourish my phrasing with his music. 

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To fluidly improvise needs more than just learnt tools like scales, arpeggios and patterns and the application of these during the chord progression. Improvisation is a language that has to be spoken constantly.

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While spending three months in Italy in 2020, due to the Covid-19 situation, I coudn't practice with my Fender Stratocaster, a guitar which I truely love. Instead I honed my jazz skills on a Cort guitar I bought in Brazil.

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Márcio, a Brazilian of Italian descent, began playing the guitar at the age of sixteen. In 2000, he studied Classical Guitar and Music Education for two years at the University of Passo Fundo (UPF), in Rio Grande do Sul, Brazil.

In 2001, he co-founded the band Código Genérico with local musicians. The band released the original album Soul Brasileiro and two cover albums. Their song Inconsciente Zen received regular airplay on local radio stations, and the band was named one of the five best bands in the Passo Fundo region for two consecutive years by the Berçário Atlântida Music Awards.

In 2004, Márcio released his debut solo album, Sinestesia. As a writer, he has published the novels Jangadas (2016), a finalist for the Amazon Kindle Award, Desabitados (2017), Vidas Recorrentes (2018), Desestilhaços (2019), and Diálogos de Uma Realidade Implausível em Mundos Alegóricos Possíveis (2021), as well as the short story collection Certidão Negativa de Óbito (2017).

He produced the short film Barbara: Study No. 1 (2014), screened by SESC, and his poem Apenas sou received a literary award in Presidente Prudente in 2017. Since settling in Ireland, he has released the solo albums Dark and Full Bodied Thoughts (2022), Patologias de Apreço e Desafeição (2024), and Auto Entropia Dialética (2026).

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